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Prints

On printing your own work

A photograph is not finished until it exists on paper. Some thoughts on paper stock, editions and letting go.

Written by

Juno Ferreira

Photographer, Lisbon

I resisted printing for years. Screens were easier, cheaper and endlessly forgiving. Then a gallerist asked me for a 60 by 80 centimetre print of a picture I thought I knew, and I discovered I did not.

Paper changes the picture

On a matte cotton rag the shadows in that image opened up in a way no screen had shown me. I reprinted it three times before it looked like the thing I remembered seeing.

Every print in the shop is now made the same way: one paper, one printer, signed and numbered on the back.

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